Those who developed their own black and white films in the last century are bound to be familiar with Ilford’s signature products.
So much so that some of them barely get noticed. Maybe this is the motive for the FP4 parties recurring among the twitter analogue photography community.
It works for me. For really fine grain, there are slower films, for maximal versatility, there’s HP5 and then there are high speed T-grain offerings …
I didn’t get round to much in April, but at least the FP4 party got me shooting again. I post some shots from this year, and an earlier occasion in 2018.
The last year offered few opportunities for photography, but it offered some. These opportunities were eerie, sometimes depressing but at least they were there, interrupting the monotony centrally planned withdrawal from public space.
Over this period, I shot a roll of Tmax P3200 at ISO1600 in an old Canon FTb. Roaming the streets like Omega man at least came with the unusual attraction of seeing the inner city like a still life, unusually quiet in daylight.
There are some shots in near empty shops when the lock down was relaxed somewhat and some from a sparsely populated gallery.
All in all, the lock-downs left a strange impression. An unusual, strangely tempting photographic backdrop on the one hand coupled with an unsettling sense of foreboding with what the aftermath will bring.
Birkenhead park had more squirrels than joggers while the lock-down was first eased. In time, it will fill again but the empty pubs and shops may not.
I don’t think anybody knows what will happen next, but something tells me this will not end well. At least my Ilfotech-DDX didn’t go off -things could always be worse …
During this year’s #filmfeb I professed that my projects for the year were to shoot more 4×5 and revisit some old negatives. Shooting 4×5 in a lockdown is a bit of a challenge, but it seems to be the ideal time for digging into old negatives. I shall start by going some 30 years back.
The good people at Ilford Photo have not only introduced their Ortho-Plus 80 emulsion in 35mm and 120 formats, they also made it available to the market. This alone is a vast improvement over some competitors.
On my most recent visit to Berlin I decided to do something I had so far avoided: take some shots of the usual Tourist motives. I had done this elsewhere of course, but never in Berlin. The obvious starting point for such a mission is the Brandenburg Gate, where I got the standard shot towards the end of the golden hour. The film was 120 format Kodak Portra 160 in a Zenza Bronica SQ-Ai, I brought a 50mm and a 150mm lens.
The East German ORWO products have long appealed to more old fashioned photographers. I shot ORWO black and white films occasionally, when they were still being made and used their photo paper regularly. ORWO paper was actually made of paper, or cardboard, at a point when most modern photo papers were made of some form of plastic or at least resin coated. To those photographers with a bit of a Luddite streak the traditional paper just looked nicer. Continue reading “ORWO Expired?”
On Twitter, @_JasonAvery challenged my camera. Well, not only mine specifically, but he through down the gauntlet with the #camerachallenge: 1. push an ilford film by two stops or more 2. move out of your comfort zone.
Pushing ilford films by two stops is the easy part. I’ve done that before. I would do it again, and decided to push Ilford Delta 3200 to ISO 12800 –that’s exactly two stops and rather fast for film.
The bit about the comfort zone is harder to interpret. Did the challenge want me to be less comfortable during the process itself? I hope not. Or did ‘subject matter out of my comfort zone’ simply mean shooting stuff I don’t normally shoot? This approach Continue reading “Pushing out of my comfort zone”
Following on from the two crappy cameras at the last #ShittyCameraChallenge, I moved on to a fixed focus point and shoot for the October edition. The Goldline Presto N is a point and shoot with built in flash, fixed focus, fixed shutter speed and fixed aperture.