I normally share photos on flickr and Twitter, and normally, this works. Twitter has recently become reluctant to show flickr images though. So I will try and see what happens if the image is embedded in a blog post first:
Which is why I leave this street scene from Chester here. I took this about two years ago on an old Graflex on 4×5 Portra. Unfortunately, the shot had to be framed to keep some unsightly construction works out of the frame.
A fair number of shitty cameras have graced the pages of this blog. They will all be under-performed by today’s example: the Miranda Solo Panorama.
The Miranda Solo Panorama is one of these very basic reusable cameras with all the technological sophistication of a disposable one. It sports a 28mm wide angle lens, fixed focus, a single exposure time (probably 1/60-1/125 or thereabouts) and an aperture like f11 or Continue reading “Miranda Solo Panorama Doubleplusungood”
One photography project for this year was to go through old negatives. Having grown up with film, I have plenty. In addition, I inherited a file with old negatives from my father. One set is dated 1967 and contains pictures from Berlin of a guy named Alex.
During this year’s #filmfeb I professed that my projects for the year were to shoot more 4×5 and revisit some old negatives. Shooting 4×5 in a lockdown is a bit of a challenge, but it seems to be the ideal time for digging into old negatives. I shall start by going some 30 years back.
On my most recent visit to Berlin I decided to do something I had so far avoided: take some shots of the usual Tourist motives. I had done this elsewhere of course, but never in Berlin. The obvious starting point for such a mission is the Brandenburg Gate, where I got the standard shot towards the end of the golden hour. The film was 120 format Kodak Portra 160 in a Zenza Bronica SQ-Ai, I brought a 50mm and a 150mm lens.
The East German ORWO products have long appealed to more old fashioned photographers. I shot ORWO black and white films occasionally, when they were still being made and used their photo paper regularly. ORWO paper was actually made of paper, or cardboard, at a point when most modern photo papers were made of some form of plastic or at least resin coated. To those photographers with a bit of a Luddite streak the traditional paper just looked nicer. Continue reading “ORWO Expired?”
Once upon a time, during the first #ShittyCameraChallenge I took part in, I used that beat up but functional Agfa Silette. This time round, the shutter gave in when testing different speeds, leaving me with bulb mode and no reliable timed exposure. Anyway, I decided to use it one more time, but now was confined to long exposures. With this constraint, I did not go so far as using a shitty film as well and decided to shoot Fuji Acros 100 pulled one stop to ISO 50. With this low speed and favouring small apertures, I expected to be constantly tripod bound with multi second exposure times.
Today, I noticed a number of tweets under the #SaveTetenal hashtag, which was new to me. The linked article contains a video in which the narrator states that Tetenal had declared bancruptcy. That’s not quite accurate. The term bankcruptcy suggests that the firm has collapsed. I am no accountant, but from what I hear, Tetenal has gone into administration in October 2018 with a view to keeping the company commercially viable. The German term used Continue reading “Some thoughts on Tetenal’s Crisis and their C-41 Kit”
Following on from the two crappy cameras at the last #ShittyCameraChallenge, I moved on to a fixed focus point and shoot for the October edition. The Goldline Presto N is a point and shoot with built in flash, fixed focus, fixed shutter speed and fixed aperture.