Miranda Solo Panorama Doubleplusungood

A fair number of shitty cameras have graced the pages of this blog. They will all be under-performed by today’s example: the Miranda Solo Panorama.

The Miranda Solo Panorama is one of these very basic reusable cameras with all the technological sophistication of a disposable one. It sports a 28mm wide angle lens, fixed focus, a single exposure time (probably 1/60-1/125 or thereabouts) and an aperture like f11 or Continue reading “Miranda Solo Panorama Doubleplusungood”

Doreen Spooner: “Camera Girl”

As shooting occasions are scarce for the locked down photographer, opportunities to read on the subject should expand. At long last, I managed to read Doreen Spooner’s autobiography ‘Camera Girl’. Spooner’s claim to fame is having been the first female photographer on fleet street. The book is more about her than photography -not surprising in an autobiography- and it will mean a lot more to those who know at least half the celebrities she mentions. I had the rare experience of not being quite old enough -nor British enough- to get all the references but I guess the target audience will have no such problem.

There is Continue reading “Doreen Spooner: “Camera Girl””

Remember, remember the 9th of November ….

During this year’s #filmfeb I professed that my projects for the year were to shoot more 4×5 and revisit some old negatives. Shooting 4×5 in a lockdown is a bit of a challenge, but it seems to be the ideal time for digging into old negatives. I shall start by going some 30 years back.

In front of Schöneberg Townhall, 10 November 1989. Schöneberg is a district of Berlin; during the cold war, West-Berlin’s regional parliament met in this district’s townhall.

One of the side effects of growing up in Berlin during the cold war, was being there when the whole affair ended. Continue reading “Remember, remember the 9th of November ….”

Berlin and its Holocaust Memorials

On my most recent visit to Berlin I decided to do something I had so far avoided: take some shots of the usual Tourist motives. I had done this elsewhere of course, but never in Berlin. The obvious starting point for such a mission is the Brandenburg Gate, where I got the standard shot towards the end of the golden hour. The film was 120 format Kodak Portra 160 in a Zenza Bronica SQ-Ai, I brought a 50mm and a 150mm lens.

Brandenburg Gate

From this first location, Continue reading “Berlin and its Holocaust Memorials”

Resuscitating an analogue Canon EOS300

As analogue photography regains popularity, a frequent question in photography forums is, which cheap, good quality analogue camera to pick when trying out film. Until recently, this would not have been an issue: almost all analogue gear was cheap, but prices have been rising for a while. In spite of this: late SLR models from the 1990s and beyond are often overlooked. 

Where the main motivation is the look and feel of old or purely mechanical gear, this makes sense. But those who mainly want to try film as a medium and get the most bang for their buck should look at late analogue SLRs. They are likely to look like digital cameras but offer everything a film camera can, from full manual control to point and shoot automation. Continue reading “Resuscitating an analogue Canon EOS300”

ORWO Expired?

ORWO NP22

The East German ORWO products have long appealed to more old fashioned photographers. I shot ORWO black and white films occasionally, when they were still being made and used their photo paper regularly. ORWO paper was actually made of paper, or cardboard, at a point when most modern photo papers were made of some form of plastic or at least resin coated. To those photographers with a bit of a Luddite streak the traditional paper just looked nicer. Continue reading “ORWO Expired?”