One of the more popular posts on this blog explains how to prevent the button cells in the SQ-Ai from slipping away from the camera contact, using nothing more than a piece of cardboard. This still leaves a problem for those who are missing the battery holder altogether.
About the only alternative to an expensive motor-grip or external pack is a 3D printed replacement holder. Luckily, there is a design freely available. This of course leaves open the question of how to design the electric contacts. I have never tried this, so the best I can do is produce some more detailed photographs. Let’s start with a view of the contact side of the battery holder with a basic scale.
A fair number of shitty cameras have graced the pages of this blog. They will all be under-performed by today’s example: the Miranda Solo Panorama.
The Miranda Solo Panorama is one of these very basic reusable cameras with all the technological sophistication of a disposable one. It sports a 28mm wide angle lens, fixed focus, a single exposure time (probably 1/60-1/125 or thereabouts) and an aperture like f11 or Continue reading “Miranda Solo Panorama Doubleplusungood”
One photography project for this year was to go through old negatives. Having grown up with film, I have plenty. In addition, I inherited a file with old negatives from my father. One set is dated 1967 and contains pictures from Berlin of a guy named Alex.
As shooting occasions are scarce for the locked down photographer, opportunities to read on the subject should expand. At long last, I managed to read Doreen Spooner’s autobiography ‘Camera Girl’. Spooner’s claim to fame is having been the first female photographer on fleet street. The book is more about her than photography -not surprising in an autobiography- and it will mean a lot more to those who know at least half the celebrities she mentions. I had the rare experience of not being quite old enough -nor British enough- to get all the references but I guess the target audience will have no such problem.
During this year’s #filmfeb I professed that my projects for the year were to shoot more 4×5 and revisit some old negatives. Shooting 4×5 in a lockdown is a bit of a challenge, but it seems to be the ideal time for digging into old negatives. I shall start by going some 30 years back.
The good people at Ilford Photo have not only introduced their Ortho-Plus 80 emulsion in 35mm and 120 formats, they also made it available to the market. This alone is a vast improvement over some competitors.
On my most recent visit to Berlin I decided to do something I had so far avoided: take some shots of the usual Tourist motives. I had done this elsewhere of course, but never in Berlin. The obvious starting point for such a mission is the Brandenburg Gate, where I got the standard shot towards the end of the golden hour. The film was 120 format Kodak Portra 160 in a Zenza Bronica SQ-Ai, I brought a 50mm and a 150mm lens.